4/3/13

Two months ago if you told me that all of my books one week would come from Marvel I would have laughed. I am proud to say that I have know experienced a week were I only get Marvel comics. And it was quite a good week.

• Thanos Rising #001

And I thought Guardians of the Galaxy #1 was big. This was one of the best debut issues ever. Master writer Jason Aaron starts with a blank slate and creates an origins story that seems organic to the character, was brutal, and devastating. The illustrations beautifully complimented the brilliant dialogue perfectly. I think that Thanos is a very nerdy boy but the author didn't use the "he's different we hate him" excuse that most bad authors pull when they can't think of an interesting relationship between a character and his/her peers. There was a part of this issue that was a lot like 127 hours and made for an interesting turning point in Thanos's life. Great book, can't wait for the 2nd!

• Age of Ultron Book 4

AGE OF ULTRON IS SOOOOO GOOD!!!!
I look forward to it every week because it comes out almost every week. There is a certain rhythm to it that keeps it from being too boring but also keeps it from being too fast-paced. The author finds his groove with characters and makes them complex and interesting. Last issue we met She-Hulk and Luke Cage and this week we took a trip to the Savage Land. This installment is full of surprises from a nuclear explosion to a gory death-by-hulk. Well done Bendis and Hitch even though I continue to dislike how you draw faces.

•  All-New X-Men #010

This series is honestly as good as it gets. I mean BMB just made a scene with three different groups of X-Men a beautiful and witty conversation. All of the dialogue was totally believable and the points made were all great. S.H.E.I.L.D finally gets in contact with the X-peeps. Something they should have done issues ago and the X-Men continue to be the most interesting group to listen to in the Marvel Universe. BMB leaves us with such a good cliffhanger that I am sure will change the Marvel Universe completely. I am soooooooo ready for next week.

• Indestructible Hulk #006

I am glad that the Hulk book is headed in a new direction because it is a good book but the last Atlantean thing wasn't the best. This new storyline focuses more on the team of scientists that Maria Hill assembled with Bruce Banner's help. They travel through a portal where they meet...Thor? It is a weird meeting and I am not sure what to make of it but Hulk does get to wield Thor's hammer for the last few pages. The book is cleverly written but the story is not easily understood and there are a lot of loose ends. I am curious about what the next issue will hold.

Why don't the X-Men have a rogues gallery?

Every good super hero or team has a good rogues gallery. Batman has in my opinion the most interesting of all with Joker, Ra's Al Ghul, Clayface, etc. The Justice League has a wide and powerful rogues gallery that is composed mostly of other-worldly beings like Darkseid. Although I am not an expert I can say that from my fairly brief experience with the X-Men that they have little to no rogues gallery.
There is always some conflict in the X-Men, and that's what keeps them interesting. Mostly the conflict is that mutants aren't accepted by humanity. This dilemma is quite compelling: society isn't willing to accept that others are more powerful and therefore hate and hunt them. This also gives us Sentinels which I guess could count as rogues but are too numerous and all the same.
The X-Men can also never get along. The team is very diverse and very good at holding grudges. They aren't exactly leaping to each others aid either. They all like to talk about what just happened and blame others for it. I think that is interesting because the X-Men usually have a decent writer so the arguments and discussions are sharp and good points are made.
People rag on Cyclops a lot but his is the same situation that Jack Shepherd was in on Lost. He is a natural born leader who is a little too stuck up for his own good. That does provide some conflict though. Cyclops is a good character in the time between battles, making amends and keeping people calm.
The merry mutants don't need a rogues gallery as long as they keep bickering. The stories are interesting and suspenseful even with just themselves as bad guys.

3/27/13

Marvel and DC galore! I had a "balanced" pull-list with many treasures and only one disaster. I also want to thank everyone who joined the G+ community this week +Sam's Pull List is also doing great. I am so thankful that all of you read and enjoy this blog.

My Pull-List this week. Enjoy!

• Deadpool Killustrated #3

This is one of the funniest non-Millar comics ever. With a hilarious new cast of story-book characters for Deadpool to butcher and some of the wittiest one-liners yet. The art was luscious with dark inks and bright colors and the cover art was spectacular. One of the most endearing parts of this particular storyline is it's ability to make supporting characters more than just mindless lackeys. When Deadpool takes over Frankenstein as a home for his "second mind" I thought: "We won't be seing much of him." I was so wrong. Frankenstein is the perfect sidekick for an insane mercenary and together they slash their way through many dear children's story characters. Some victims are:

• Scrooge
• The little Mermaid
• The jungle book characters

I mean, the Jungle Book characters? It was quite a battle to behold, complete with a Shakira reference. Great issue!

• Age of Ultron Book 3

I was so confused when this issue began. They showed a scene that seemed disconnected from the arc so far, and it was. Only when I began to read deeper into the issue I realized the thought behind the opening scene. What followed was an issue of lots of dialogue and very little action. This was quite enjoyable because BMB is a master of the craft of conversation. The plan that the survivors came up with was smart but risky. All of the major heros played a large part in the making of the final decision  but it was Hawkeye who really made the best points. The best part of this storyline is the ability to switch between little groups of survivors. Seeing how different heros are taking in the apocalypse.

About the art. Everyone LOVES Bryan Hitch. I do not understand that at all. His terrible facial expressions cause dialogue to be less meaningful which is tragic when the writer is the legendary BMB. I am excited for next issue and am thinking about buying the Ultron title.

• Batman Incorporated #9

I would have thought that it would be hard to settle back down to the normal BI after the universe altering #8. This issue was perfect in all aspects. A emotion filled funeral, suspenseful flashbacks, a sidekick becoming a hero, a tank and a speech that said that Batman was no longer welcome in Gotham. Bruce's speech at Damian's funeral was meaningful without crossing the line into cheesy-hell. The book was well paced and bleak with Chris Burnhams art remaining to be the perfect fit for this title. Batman is a very emotional character and Grant Morrison makes that very clear. I am sad that Morrison is leaving but think he has done a superb job on this crazy title. 

• Guardians of the Galaxy #001

I didn't know that this issue was being so hyped until I received a promo card and info card from the comic store tonight. They had already given away all of their posters. The issue was a great debut and I felt like I really got a good feel for all of the characters. I usually don't like Iron Man but in this story he is portrayed as less of a self-confident snob but more as a team member. The encounter of Peter and his dad was exciting and well-written, it is a very interesting dynamic that I am sure BMB will explore in more detail. The action sequence was terrific. I enjoyed how BMB split the Guardians into a few "mini-teams" within the team. 

• Batman: The Dark Knight

This is now one of my favorite DC title. The artwork is unmatched, with the best inking for a long time and Batman at his finest Ethan Van Sciver is a top-notch illustrator. It's emotionally driven. Gregg Hurwitz make the Mad Hatter one of the best in Batman's rogues gallery. The frequent flashbacks make this title less about Batman and more about the villains. This book deserves more than a T though, maybe T+ borderline A. There is a ton of brutal, immoral murder and gallons of blood. The Hatter seems to be planning some kind of performance and I can't wait to see what it entails. 

• Talon #6

The Grandmaster! What an ominous title. Calvin delves deeper into the court and finds things that were meant to stay hidden. The battles are great and suspenseful, the Washington's are their emotion driven selves and a HUGE secret is revealed. The art is beautiful and plays well with the writing. I was skeptical about this spin-off but know I am digging it. 

• Teen Titans #18

One word: Unreadable.

3/20/13

Three from DC two from Marvel. I think that I am moving more towards being a marvel fan as I headed straight into my Marvel books this week. As you will see in the reviews to come there wasn't a whole lot of quality in the comics on my Pull-List this week. Nonetheless, here are the weekly reviews my faithful readers...

• All-New X-Men #009

This is one of the best series going, there is no denying that. I think having a switch in art was a bad move for the near-perfect creative team of Bendis and Immonen. To my surprise and excitement Immonen was back on the book with a crazy new story. It starts off with a drill in the danger room that was reminiscent of old Claremont and Lee X-Men. From there the issue was exciting, surprising and nicely paced. I was worried that the whole idea of the O5 coming to the future wouldn't last much longer than five issues, but boy was I wrong. I feel as though the X-Men have a weaker rogues gallery than say, Captain America. My experience is that the X-Men are a flawed team and their issues are internal, this also strengthens them as a single issue will not solely focus on one character but flip back and forth through characters like and episode of Lost. Bendis captures both as this team faces the challenge of themselves and a couple rogues shown on the cover.

• Nightwing #18

This new"I am sulking" Nightwing is boring and non-productive. "I'm so sad about the circus, I miss you so much Damian." I mean, get over yourself, everyone else in the Bat-Family has. Besides being boring when he thinks about his life there is not much action to make up for it in this book. The one kicker was, Dick's response to Damian's death was the most meaningful thus far in the "Requiem" books. I continue to dislike the art in this book, the facial features are a complete mess, but who am I to judge? I also find it really strange that Dick would be going out with the girl whose dad killed his parents. He splits up a crime auction that was actually the most compelling part of the book (probably because all of the characters wore gas masks so the artist didn't have a chance to give them giant eyes). I really want the old "happy go lucky" Nightwing that was so awesome in the beginning of the New 52. Why can't we have him back?

• Red Hood and the Outlaws #18

I think that Scott Lobdell should be band from ever even attempting to write a comic again. I thought he could redeem himself with last month's mildly promising issue, boy was I wrong. His ability to write dialogue is none and he is so very repetitive. He is really repetitive. And he repeats himself all the time. And says the same thing more than once. And repeats the same cheesy lines.

That little tirade was completely nesscesary. I am fairly certain that Lobdell has a basic script that he has on command-v "My name is             I used to be                    Then I was                      After that I was        

                (Sentimental Garbage, Sentimental Garbage, Sentimental Garbage.) It's awful writing. And I coud've sworn he said the exact same thing about Alfred in two issues in a row. The art was pretty good but I will never forgive this kind of writing. Thank god this was Lobdell's last issue on the series.

• Indestructible Hulk #005

I am usually really annoyed with how this creative team creates an action team but I have to say: this issue was an exception. It seems that Hulk is always getting himself involved with the supernatural, this time he picks a fight with a bad ass ex-Atlantean named: Attuma. Attuma is an awesome character design whose back-story is interesting and makes perfect sense. I think that the whole rebel resistance was a pleasant touch that I didn't see coming, and all of the characters within it were compelling. What also felt strange was Hulk kissing a woman twice who Hulk knew was betrothed.

• Catwoman #18

Even though Catwoman is usually a pretty bad series and crossover titles are pretty bad this issue proved to be a fascinatingly heartfelt issue. Catwoman helps Bruce work out some of his pain and anger and Bruce helps Catwoman learn to do the right thing. This is a rare and beautiful occourance. The artists depiction of Batman was great and all of the Bat-Family was drawn well as well. The plot was in and out and all over the place but that's what I have come to expect from this series. I think that Ann Nocenti has a very good interpretation of what goes on inside Catwoman's crazy head which makes for an interesting view as the reader.

3/13/13

This week was depressing in comics, all of the titles in the Bat-Family had the word "Requiem" on them. The whole weeks comics were about the death of Damian Wayne. It also proved to be a terribly bleak week in comics. In some cases this proved to be to the books benefit and in others, not so much.

• Batman #18

I really don't understand DCs love for selling so many bridge issues. My guess would be that the normal artists are just so exhausted by the rigorous release schedule that they need a months break. I usually don't enjoy this type of issue, Batman #12 was the worst of the Batman title thus far into the New 52. So this issue surprised me. We revisit the seemingly insipid character of Harper Row, except this time a little of her origin is mixed in. She visits her dad in Blackgate where the dad is nasty to both Harper and her brother Cullen. If this dialogue was put in the words of any other writer it would be cheesy and boring. Somehow, Scott Snyder makes the dialogue crisp and natural. The second half of the book is a story of how Harper tries to help Batman out of this dark place. Scott Snyder does a terrific job of painting the picture of a Batman who is similar to the post-Jason death Batman in being feral and uncontrollable. This is a very well made issue and a good way to bridge the story of Death of the Family and the events of BI #8.

These Bat-Issues had some of the most amazing and heartfelt covers I have ever seen.

• Batman and Robin #18

I was really skeptical as to how they were going to pull this one off without Damian, but they did. It was really nothing more than a sob-fest, but that was all that was needed. What was the real shocker in this issue was that there were no words at all. The amazing creative team behind this title managed to showcase the extreme misery of Bruce and Alfred without any dialogue. There was definitely lots of strong emotion in this book, but $3 is a little steep for three minutes worth of reading material.

• Batgirl #18

Thus begins part two of the Ray Fawkes take over for Gail Simone. It was not as bad as the first part, but still not a quality comic. While I think that James Gordon Jr. has potential to be a very interesting character Ray Fawkes just fails to bring the mysteriousness that Gail Simone did so very well. I think the story told in this issue was mediocre, more about how Batgirl is a hero and how psychotic James is really demented. The thing that really made this issue not as good as it could have been was the fact that all of the non-dialogue text-boxes were about Batgirl in the voice of James. This took his mysterious edge away. I also think that if a Robin is on the cover and the book is marked "Requiem" there should be a larger Robin presence than just one moment. I just wrote an article about how DC never gives us enough of the story we bought the book for. Here it is: The article

• Thor: God of Thunder #006

I was thoroughly pleased with the "Gorr-igin" Even with the artist change this book continues to be one of the most prominent in Marvel NOW. The book completely lives up to the title with nothing but origin as Thor doesn't make a single appearance in the book. Gorrs life is so bleak it is hard to even read about it. The few people he cares about in his life all meet terrible fates while he lives his life hearing all about how the gods will look after him. He is a rebel and a leader and doesn't seem inherently bad until the last couple of scenes where he whips a helpless God. Jason Aaron really does the perfect job in writing this amazing story.

Although the interior art is done by Butch Guice, Esad Rubic still draws amazing covers for the series.

• Age of Ultron Book #2

I have to say, of all of the books this week AoU was the one I was most excited for. Why? Because #1 was so damn good. This one doesn't quite match the quality of the debut, but it comes pretty close. This issue was really just a way to get settled with the cast of characters and the circumstance. There is lots of talking about what will be the next step and even a flashback to before the crisis. I appreciate that this creative team is trying to really give the reader a strong grasp on the story. There is also a team-up in this book that I quite enjoyed, this was Black Widow and Moon Knight. They had entertaining conversation and seemed like a realistic alliance given the situation. I am so ready to see how this plays out.

• Before Watchmen: Ozymandias

I have very little to say about this book. It was just as good as any of the other books on the series. Two things I will commend them for: it was not nearly as wordy as the other issues and it wrapped up the series nicely. I am so excited that Before Watchmen only has one more book left!

Marvel and DC Crossovers

If there is one thing that comic publishers like to do it is hold mega-crossovers. Why? Money. People buy lots of comics to get the whole story. This can cost almost $100. Why are we spending this much? Is it worth it? No.

DC Crossovers. The half-stories.
Let me explain that subtitle to you. DC advertises that all of these books tie into Death of the Family, yet when one reads them they only get 2 or 3 pages of story about Joker. DC sucks us into a trap of thinking that we need to read these, don't let them! One thing that is especially hard for me is dropping subscriptions. Shortening my Pull-List isn't easy because every time I read a lousy issue I just think "Maybe next issue will be better." Spoiler alert. It isn't. No matter what title, if the first tie-in is bad the second will be complete crap too. This takes $2.5 dollars out of future comic buying endeavors. We should no longer submit to this torment, here is my advice. Stick to 2 or 3 tie-ins that you think will be great. If they don't meet your expectations, drop it. Now I just have to try that...

Marvel Crossovers. The core driven events.
Marvel has one thing that DC will never catch onto, core-issues. In AvX the were the Avenger Vs. X-Men issues, in Civil War there were Civil War issues, now in Age of Ultron there are Age of Ultron issues. Why does Marvel do this? For readers who weren't planning on reading the storyline to go "Hey I might wanna just read the core-issues and no tie-ins." Now the reader is sucked in. Enter ads for tie-ins. Now the reader wants to know everything about the storyline because the core-issues are just so good. The reader is now caught in a web different from DC's but equally as deadly.

I hope you have learned a little about the buying habits of us comic readers when faced with a succulent looking crossover. I hope I have inspired you to be less willing to purchase a whole event, be it Marvel or DC. I also hope that I can practice what I preach and not buy everything that has the words "Age of Ultron" on it...But they just look so good.

3/6/13

This week was the first week that I felt that I was really a Marvel fan, instead of a DC fan who got a Marvel book here and there. My Pull-List was four-fifths Marvel. Let me also say, that this week was a phenomenal week for comics.

• All-New X-Men #8

What a truly wonderful story arc. rarely do I find a comic series that has such a surprisingly strange conceit that turns out to be entertaining and understandable. The issue starts of with Archangel and his past self flying around and trying to grasp the fact that they are actually meeting each other. It was a touching and human moment. This moment didn't last long as the Angels fly over to Avengers Tower where Hydra's troops are burning the building to the ground. They work together to stop the destructive forces until Thor comes and bails them out. The Avengers part in this issue was brief and consisted of Cap and Beast talking behind the X-Men's backs while Iceman and Kitty Pryde try to guess exactly what the pair are saying. This turns out to be a funny and clever scene. I will not ruin the last part of the issue for those who are yet to read it but will end with saying that it was a terrific issue.

• Age of Ultron #1

I bought this book on a whim. The cover looked awesome and if it was going to be a big deal I didn't want to miss it. It is a big deal. This was the only post-apocalyptic comic I have ever enjoyed. Even though Hawkeye is a pretty dull character he was portrayed perfectly and the fight scene was amazing. This whole book just screamed bleak. It was so pathetic to see what humanity had become with this Android takeover. The dialogue between the survivors, who were well selected except for Tony Stark who would in reality be the first to go, was really natural, and again, super bleak. I am super pumped for #2.

• Deadpool Killustrated #1 (second printing)

As soon as I saw the cover of this issue a month a go I was sure I wanted it. Too bad that the comic store had already sold out. The wait for the second printing has been grueling, but it was so worth it. This really shows Deadpool at his funniest. As he fights Moby Dick he just spits out one-liners making the scene just that much more ridiculous. I really liked how this issue summed up everything that I missed from Deadpool Kills the Marvel Universe in only a couple pages. Deadpool has an awesome encounter with a character whom he dispatches with haste, I won't spoil who though.

• Deadpool Killustrated #2

I think that the other of this book just wants Deadpool to fight as many people as possible in the allotted pages. He finishes of Moby Dick, Dracula, The Headless Horseman, and my favorite, Little Women. He kills all of these fictional beings in only the funniest ways. The plot is also great with Sherlock Holmes thinking about how he might stop the Merc with a Mouth before he hurts the time continuum beyond repair. This is one of my favorite books in print and I am looking forwards to next month.

• Before Watchmen: Rorschach #4 of 4

I can't write a full review about this comic because I didn't understand a page of it. It was awful.

Thank you

So, this is not a very interesting post. I just wanted to say thank you for the 562 pageview in February for an accumulated 912 pageviews today. I will try to make March the interesting and post-filled month February was, all I ask is that if I keep typing you keep reading. You are all awesome and interesting readers and post fascinating comments both here and on Google+. Keep reading!

2/27/13

This week was a great week, but the most sad comic week I have ever been through. I think you all know why.

• Batman Incorporated #8

This issue was one of the single most dramatic issues I have ever read. The story begins in a warzone unlike anything you've ever seen and just gets better. They really should not have named this series Incorporated, but rather Batman Family I mean seriously, you have Dick, Tim, Damian, Bruce and Commissioner Gordon all fighting at the same time against the same enemy...But, anyways, the writing was clever and snappy (what we have come to expect from Grant Morrison) and I though the artwork was also phenomenal. Without going into the gory details I will say that Damian's death was very well thought through. I really hope that this series will continue even without Grant because it is a really intriguing story arc.

• Batman: The Dark Knight #17

I have really come to enjoy this series for what it is. And it is a way to settle a solid foundation for Batman while keeping fans entertained. I have never though the Mad Hatter as anything but in Gregg Hurwitz's hands he is quite an interesting villain. This issue has a perfect balance of flashback and suspense. The Mad Hatter is beyond brutal and completely insane, if they ever make a movie featuring him it will send children into endless fits of nightmares.

• Guardians of the Galaxy #0.1

I bought this book off of a recommendation, so I clearly wasn't a fan before today. It was a very good comic, I think it was the best way to introduce me to the main character and it made up a good, entertaining issue. I though it was weird (space guns, aliens) although it wasn't as weird as say Fear Agent. Steve McNiven's art was very clean and satisfying. I will be anxiously looking forward to #1.

• Talon #5

I though that the last issue of Talon was a truly compelling comic, I was back this month to read all about the next chapter in Calvin Rose's life. This book started out well, Calvin and his ragtag team of companions talking about their tedious lives living in a bunker. The daughter of Calvin's love interest Casey Washington is a very cute character and the only young comic book character character authors have ever gotten right. The dialogue is the star of this comic as Snyder and Tynion masterfully create scene after scene of smooth and natural conversation while not boring the reader. This is a skill that is to be admired and cherished. I got really desperate when the band of anti-courtists were discussing the infiltration of a Court controlled fortress that was seemingly impossible. I am very excited for the next issue.

• Before Watchmen: Dr. Manhattan #4 of 4

As much as I hate JMS I have enjoyed Dr. Manhattan. This last issue was strange, and I don't think the strangeness really paid off. There were two times when I had to twist the comic around in my hands to understand what was going on. There was also a large Ozymandias prescence in this particular issue. I actually think this creative team got the character of Ozy much better than they did Dr. Manhattan so this issue was a break from the ordinary series. Like the other Before Watchmen titles, I'm glad I was along for the ride, but I'm glad the ride is over.

• Teen Titans #17

I was just picking up my friends comic, this is not my sub, but I decided to read and review this anyways. This was also a Death of the Family Aftermath issue, so I was mildly interested. This comic started mediocre with the sad creation of a new villain that seemed suspiciously like something that belonged in an X-Men book. It was really a standard new mutant introduction; young boy afraid of his powers, he says how the powers started out weak and then grew more intense, blah, blah, blah. Anyways this kid is hooked up to this machine and gets stabbed a bunch of times, classic. Then some supervillain takes the new villain in as his minion. The Titans move their residence to a giant cruise ship (courtesy of Tim Drake) and they set sail moping in self pity about their recent run-in with the Joker and checking out the ship. In the course of the night the Titans manage to: piss one another off (multiple times), make terrible jokes, have a conversation that made my skin crawl and Tim Drake made out with every woman on board. There was really no entertainment at all in this entire issue.

My Final Goodbye to Damian Wayne

I hope you all know that I love Damian, with all of my heart. He is the best Robin and one of the best characters in comics. I was heartbroken when I looked on my Google+ feed to see an article about the death of Damian. Since then I have been preparing for Wednesday when my heart will be torn from my chest as I read Batman Incorporated #8. So this my friends and loyal readers, is my final tribute to Damian Wayne.
When I first got into comics I loved Batman. But I hated Robin. I always thought of Batman as some kind of bad-ass loner who didn't need an annoying little kid at his side. As I got to know the Bat-Family better one character stood out to be the most interesting seeming; Batman's Son. However, I still was opposed to Robin. It was that bittersweet moment when I just finished one of my newly purchased graphic novels. I turn the page hoping for some more of the story even though I knew that I was at the end of the book. I saw one of those ad pages where they spotlight an author and show all of the Batman books they have written. This particular page showcased Grant Morrison. I looked the page up and down and came across the cover of Batman and Son. I don't know what it was about that picture but in my mind I decided that moment that I needed all of the comics with Damian in them that I could possibly get my greedy hands on. Thus began my relationship with this particular comic book character.
A couple days later a box arrives from Amazon marked with my name. I ripped the box open and found all of the GNs I ordered tucked in. I first "met" Damian as an infant on the last page of Batman: Son of the Demon. I devoured Batman and Son in the same night. I think Grant Morrison introduced me to many things that night.

1. Truly good comic writing.
2. Damian Wayne.
3. The idea that Robins are pretty awesome.
4. Some of my favorite ever stories.

As I kept reading about and getting fascinated by the ten-year-old boy my interest for comics grew. I bought boxes and boxes of GNs loving everything about the "Death Era." I think that the New 52 has also made Damian the amazing character he is. Batman and Robin is the only series of the New 52 in which I have never had a complaint about a single issue. Batman Incorporated has also been a super exciting and fun series.
As I think about these decision Grant Morrison is making I am ultimately sad. The Batman canon will not be quite as intriguing without him and that will disappoint fans, but most of all I am sad because Damian is going to die. Batman Incorporated will be the first title I read tomorrow and I plan on burying a picture of Damian in my backyard. I really hope he's gonna get resurrected in a couple years, because if not I will send DC so many complaint emails they won't even be able to breath. (that didn't make much sense.)

2/20/13

I enjoy storyarcs and crossovers. I thought Death of the Family was quite a good storyline, and just when you thought it was over you pick up your comics on Wednesday, Friday for me, and find "Death of the Family; Aftermath" in giant letters on the cover of all of the bat-titles. For me I say "YAY! More of the story I so enjoy." Yet as I sit down and actually start reading the comics I find myself thinking something different altogether. This weeks reviews:

• Catwoman #17

New story, great. Black Diamond Probability was subpar at best in Catwoman's title, I think we can all agree about that much. This issue finds Catwoman breaking up a kid's heroin dealing by whipping them senseless, a nice "I'm going to tell your parents." would have been appropriate to the situation, but Catwoman is rated T+ for some reason so the author just wants to throw in random, racy moments of violence for no purpose other than to prove it is rated T+ for a reason.
The art, as always, is neat but nothing outstanding and sometimes the scenes of action get a little hard to understand. My main problem with this title, however, is that the dialogue is poorly written. This includes cops making remarks that are so unlifelike that it's funny, and an endless slew of cat metaphors that make my skin crawl. Catwoman is a very interesting character, and her title could be very interesting, the writer just has to come up with more interesting enemies than a fat guy with a fishnet over his head.

Spoiler Alert: The scene depicted doesn't occur in the book.

• Nightwing #17

The title of this issue is The Long Week, and that pretty much sums up the entire issue. Dick is moping around complaining about the fallout of Jokers visit and feeling really sorry for himself. He visits the circus and some clown who is close to death blames Dick for the disaster for who-knows-what reason then Dick pretty muh goes crazy and violent while fighting crime. Of course it is Damien who stops Dick's spontaneous rampage and brings him to his senses. I felt that this was a decent way to show us readers how Dick feels after Death of the Family, my complaint about this issue comes from the art.

There is a new artist on the book who is not bad at all, he just can't cover up Dick's identity. That's right, for the first time since I started reading comics I think that the identity of a superhero might be at stake. Dick looks identical to Nightwing that even the youngest child could tell the difference.

• Thor God of Thunder #5

This is my first review of a Thor comic, I read the first four way after they came out, so I am pretty darn excited. The series has been awesome both in writing and in illustrations, and I couldn't wait for the finale to the God Butcher storyline.

Writing dialogue is hard. That is the main barrier that keeps great writers from being fantastic. Jason Aaron nails dialogue every single time, that's what makes him such a phenomenal writer. This finale is spectacular consisting of the three Thors dealing with the God Butcher in different ways. The present Thor fights the God Butcher head-on as he revisits his past encounter with the God Butcher through memory. This shows the past Thor and his decibels fighting Gorr in a cave. The future Thor gets a much needed visit from his confused, past-self and continues to fight Gorr's berserkers. The issue leaves us with just the right amount of answers and questions and leaves us wanting next month's Gorr-igin issue.

I can't get over how great Esad Rubic's art is.

• Indestructible Hulk #4

IH has been the best damn Hulk series I have ever read, Mark Waid captures perfectly the two very different characters of Hulk and Bruce Banner and Leinil Yu's art is the best the Hulk book has ever gotten. I think that this creative team is better at times when a scene has lots of thinking or dialogue, the beginning of this issue was one of those scenes. The last third of the book was a fast-paced action scene that was interesting but not very well laid-out. I give them credit, however, because the action is all underwater which is hard to write. Overall this was a good issue and I am very ready for the next.

• Red Hood and the Outlaws #17

Of all of the Death of the Family tie-ins RHO was my least favorite, yet the aftermath was the best thus far. Roy was annoying as usual but other than that the story was sad and moving. All of the reactions of the characters to both the other characters and the situation at hand. The art is OK but nothing special and the dialogue is also decent. I do think that Lobdell nailed Damien and Jason's relationship.

Thank you everybody for joining me for this weeks reviews and please come back next week for more.

Why Marvel Can Change the Universe and DC Can't

From my brief knowledge of Marvel Comics I have noticed one thing in particular. They like to change the universe, a lot. Take for example Civil War a giant mega-crossover that changed the course of every series it touched. My argument here is not that this kind of strategy is a bad thing, just that is a pain in the ass to catch up on. I haven't been reading Marvel for hundreds of years so I don't know what they mean when they mention a reference from Secret Invasion in a Marvel NOW series. I don't think that this is fair for anyone who wants to read a quality comic without having to buy every single comic that preceded it. I am however, enjoying how most have the Marvel NOW series have been based off of AvsX. I am not saying that AvsX was at all decent (it wasn't.) It's just kind of neat to see how the X-Men are dealing with Scott Summer's being so changed. That being said I don't think they should stop putting out big Marvel events (Mostly because I want to be able to read them as they come out, now that I have a better sense of the Marvel Universe.) I just think that Marvel should think through what will happen before they write the story. I say this because now with Marvel it seems like all of the writers who are writing about the aftermath of AvsX have to compensate for their co-workers lame story by writing about something that was minor but interesting in the event.
This is a problem that only Marvel has to deal with (Enter DC Comics.) It seems as though DC is scared to ever change anything in their universe. What was their latest event? Flashpoint? All we got from that was an origin reboot. If anything I would have DC do a what-if story. Take Deadpool Kills the Marvel Universe even though I haven't read it, it seems like a fun story that would never actually happen but is cool to read about. May I suggest Lord Grayson, an alternate universe where Dick gets so drunk on power when he is Batman that he decides to kill Bruce when he returns and disbands the Justice League, making him the king. And what if Jason then challenged him for the throne? The main question is why not?
What I want to summarize about this post is two things. Marvel is too ambitious and needs to work on the actual content of their mega-events and DC needs to be more ambitious and throw a curveball sometimes. Please tell me what you think about it and if a Lord Grayson storyline is a good idea.

2/13/13

Today provided a marvelous Batman story, a sub-par Batgirl story, a pleasantly unusual story of my favorite, Damian Wayne and an utterly nonsensical and confusing Comedian comic. Once again, here are this weeks reviews.

• Batman #17

What have we come to expect from comic finales? Drama, tension, resolution, and most importantly a change. We don't want to have spent hours of our lives reading a comic that will never mean anything than the initial thrill it provided us. Snyder and Capullo's stunning ending gave me all four of those things.
There was definitely drama. Hell, when isn't there drama when it's a story about the Joker? From an interesting trap to the psychotic jokes and tricks we have come to expect from the Clown Prince of Crime. There was also drama to the point of me feeling like I was there, I credit that mostly to Greg Capullo whom I will always think of when I think of the Joker.
Tension is a hard thin to bring to a comic. In a movie scary music, slow-motion and quick dialogue will do the trick, but in a comic the tension is purely the excitement and the vividness of the drawings. I was scared, worried and excited all at the same time. One of the key factors in this chapter of Death of the Family was the actual family. The family is a hard group to bring together and keep the suspense high. Snyder managed that by having the family face a different form of Joker evil than Batman.
The story pulled into the finale with many loose ends and questions left unanswered, I felt at peace with the end result. One of my favorite parts of the whole comic was the end where Joker leaves one last non-lethal gag that I will forever remember.
Did it change the entire universe? No, not really. However, this will always be remembered as one of the greatest Joker stories ever told. People refer to a great comic storyline as a party, you can be late to the party, or not come at all. I think I overstayed my welcome and read the invitation too many times. By that I mean that I probably shouldn't have bought all of the tie-ins and I shouldn't have read all of the pre-event articles. But it was a party I am glad I attended.

• Batgirl #17

This issue tells the story of the fallout of Death of the Family and describes the difficult relationship between James Jr. and the rest of the Gordons. It was kind of good, and kind of random, I really don't see what DC sees in these Joker-inspired gangs but they seem to really be trying to suck all of the material possible out of them. My main problem with this comic, however, was that it was a change of creative teams. Gail Simone was doing a great job on the book and it seems like a stupid idea to take her off the book. The new artist is quite good but the writer has yet to impress me.

• Batman and Robin #17

This was the single most pointlessly weird issue thus far in the New 52. The vast majority of the book is dedicated to showing Bruce, Alfred and Damian's dreams. They are all brutal and somewhat psychotic, but very entertaining. The art, especially the extraordinary inking, adds to the eeriness of this comic.
I have come to realize that they do this kind of thing in the Batman and Robin book just to show what a queer relationship they have.

• Before Watchmen: Comedian #5 of 6

Of all of the mediocre Before Watchmen titles two books have really stood out. 

1. Silk Spectre was awesome
2. Comedian is terrible

Comedian has just been incomprehensible. They are trying to tell this elaborate story of the Vietnam war by flashing back and then switching back to the present, again and again and again. It really drives me nuts when I see the Comedian playing games with some Vietcong kids and then immediately turn the page to find a violent jungle battle. There is literally no transition between scenes, I mean at all. It is also way over-brutalized and the language is filthy for no reason. I understand that the Vietnam war was gory and the Comedian is a brutal character, but did they show that kind of stuff in the original Watchmen? I am not excited for the sequel, and I don't think it will include any of the traits of a good sequel from the Batman review.

2/6/13

This was a very fun week for one reason. HIT-GIRL. There was also The New 52 Young Romance valentines day special. I can pretty much write the conversation they had in their conference room. "Okay, we've done this before and we can do this again. How do we extract the most amount of money from our fans and giving them the least possible amount of entertainment?" "How about we release a hardcover edition a year before the paperback so that fans have the choice of waiting 1 and a half years for their comics to be collected into one book at a normal price or they could throw ten dollars down the toilet by buying a hardcover?" "Great idea!" "Wait a second, haven't we done that before?" "Yeah, how about we do a holiday themed issue where we get a bunch of creative teams to make about 5 crappy pages and then show 2 awesome characters kissing on the cover?" "Best idea yet!"

• Hit-Girl #5

Hit-Girl is awesome. Kick-Ass is awesome. Mark Millar is awesome. This issue is awesome. This couldn't have been a funnier, more gore filled, intriguing comic. I liked every aspect of it. From the clever plot to Hit-Girl hanging someone with their guts spilling out. I though that JRJR's art was terrific like usual and that this was a fantastic way to wrap up this awesome mini-series. To make things even better in the back I found out that the Kick-Ass 2 movie just finished filming, the Secret Service is going to get it's own movie and that Kick-Ass 3 is coming out in May. Really, what could be better?

•  The New 52 Young Romance Valentines Day Special

More like, what could be worse? This book had several flaws, so many that I will list them as bullets:

• Too damn expensive. I pay $8 for a book that's not even worth the time I spent reading it.
• Sloppy writing. Every conversation was so awkward and forced it made my skin crawl.
• Art changing every five pages. I can't stand when a series changes artists so you could imagine how I would feel as I switched from one art-style to another while I was just getting used to the first.
• Too many stories. I wish that they had cut half of the tales in the book so that the two somewhat interesting ones; Batgirl, Aquaman, could get some more time in the spotlight.

There was one good thing. In the middle of the comic there were the funniest Valentines cards ever.

Sorry

Due to a tight schedule I was not able to make it to a Comic Store today. Do not fear! Reviews of the new comics will be posted tomorrow. I am still trying for that goal of 500 pageviews by friday. Keep reading!
Shoutout to Adam Snape and Steven Viscido. Check out their blogs.  comicbookkid.co.uk and http://statuesandsuperheroes.blogspot.com/. Both great blogs that I would reccomend. See you tommorow.

Damian Wayne haters and how sick of them I am

Damian is the best Robin. Period. He has got more personality, is more deadly, has a richer background, and is more personally connected to Bruce than any of the other Robins. All the time people complain; "He's a brat." "He's too young." He's clueless." He's ignorant." They're all wrong! These comments are said because Damian is young and they are complaining about that. Well news-flash, ten year olds have personalities too. Dick is mature and can handle adult things, but aren't there already enough grown-ups in the superhero universe? I find that the only person who ever respects Damian at all is Alfred. Bruce can't stop mentioning that Damian is his son even though he seems to feel ashamed about it, Tim hates Damian because Damian almost killed him in Batman and Son, Dick is now too preoccupied being Nightwing to talk to Damian and when he finally does he is awkward, Jason doesn't respect him because Jason doesn't respect anybody. Alfred genuinely cares for Damian and supports all of his ideas.

Also remember that Damian isn't living the easiest life possible. He runs around every night fighting druglords and mob bosses and he's not even 5 feet tall. I get that the whole young hero thing is Spiderman's thing but Damian doesn't whine about parking tickets.
He is also really funny. If the haters would just give the complaining a rest and actually pick up a Batman and Robin comic they would see how hilarious Damian can be. He is a clever boy and that is emphasized in every good writers take on him. Especially in Batman and Robin Annual #1 (see full review in post 1/30/13) Damian tricks his dad to go and do something he shouldn't. A normal behavior that is unique to this situation.

Even in this interesting drawing Damian is portrayed as a selfish jerk.

I know this is a controversial conversation and would love to see what you guys think. Comment below or hit me up on Google+. I want to get to 500 pageviews by the end of the week so keep reading and stay tuned for this weeks reviews!

Marvel Digital Attempts

As I begin to explore the world of Marvel I am loaned a bag of comics from a Marvel fan who wants me to read some Marvel NOW materiel. Being an owner of a tablet if I enter the digital code into my computer so they will be with me if I have my tablet. Aside from being a very convenient way to read comics it is a very good way to be able to loan comics to friends. If I share my password with anyone they can all read the same comic without having to pay $4.00. This way I can acquire many comics without having to spend the amount I would have to pay without the digital comics. I feel that this is an extremely beneficial perk but just don't see how it could possibly work with Marvel's business model, if the goal is to sell more copies why are they giving a free one away with every purchase? I will continue to enjoy and use this great app.

With the borrowed comics aforementioned in this post I began spotting the Marvel AR emblem which I have never payed much attention to. Using my IPod Touch I downloaded the app passing a suspicious 2 and a half star rating. My first attempt with this app was on Thor: God of Thunder #3 on an awesome picture of Thor riding a bloody horse. The app gave very few directions on how to use the almost empty interface and when I finally figured out how to work it the whole thing just refused to work. So, I was standing over my comic double-tapping the screen repeatedly (capture image button maybe?) and yet nothing was happening. Despite all of the negativity and bad reviews of this app I was pretty excited to see an image of Thor floating in my bedroom, because that's what AR is anyways, right? Wrong. Once the image was finally done loading the screen showed a black and white image of the panel in front of me. At the slowest possible speed the screen scrolls down the page of the same comic I was just looking at and slowly gains color. Already bored to death I am appalled when the app stalls and freezes. Upset but still optimistic, I give the app another try on a different panel. This time it shows me a barely understandable video of the illustrator waving around a toy Thor hammer and giving me advice on how to smell like a Viking. This app is clearly a waste of time and a failed attempt at a fairly interesting concept.