3/20/13

Three from DC two from Marvel. I think that I am moving more towards being a marvel fan as I headed straight into my Marvel books this week. As you will see in the reviews to come there wasn't a whole lot of quality in the comics on my Pull-List this week. Nonetheless, here are the weekly reviews my faithful readers...

• All-New X-Men #009

This is one of the best series going, there is no denying that. I think having a switch in art was a bad move for the near-perfect creative team of Bendis and Immonen. To my surprise and excitement Immonen was back on the book with a crazy new story. It starts off with a drill in the danger room that was reminiscent of old Claremont and Lee X-Men. From there the issue was exciting, surprising and nicely paced. I was worried that the whole idea of the O5 coming to the future wouldn't last much longer than five issues, but boy was I wrong. I feel as though the X-Men have a weaker rogues gallery than say, Captain America. My experience is that the X-Men are a flawed team and their issues are internal, this also strengthens them as a single issue will not solely focus on one character but flip back and forth through characters like and episode of Lost. Bendis captures both as this team faces the challenge of themselves and a couple rogues shown on the cover.

• Nightwing #18

This new"I am sulking" Nightwing is boring and non-productive. "I'm so sad about the circus, I miss you so much Damian." I mean, get over yourself, everyone else in the Bat-Family has. Besides being boring when he thinks about his life there is not much action to make up for it in this book. The one kicker was, Dick's response to Damian's death was the most meaningful thus far in the "Requiem" books. I continue to dislike the art in this book, the facial features are a complete mess, but who am I to judge? I also find it really strange that Dick would be going out with the girl whose dad killed his parents. He splits up a crime auction that was actually the most compelling part of the book (probably because all of the characters wore gas masks so the artist didn't have a chance to give them giant eyes). I really want the old "happy go lucky" Nightwing that was so awesome in the beginning of the New 52. Why can't we have him back?

• Red Hood and the Outlaws #18

I think that Scott Lobdell should be band from ever even attempting to write a comic again. I thought he could redeem himself with last month's mildly promising issue, boy was I wrong. His ability to write dialogue is none and he is so very repetitive. He is really repetitive. And he repeats himself all the time. And says the same thing more than once. And repeats the same cheesy lines.

That little tirade was completely nesscesary. I am fairly certain that Lobdell has a basic script that he has on command-v "My name is             I used to be                    Then I was                      After that I was        

                (Sentimental Garbage, Sentimental Garbage, Sentimental Garbage.) It's awful writing. And I coud've sworn he said the exact same thing about Alfred in two issues in a row. The art was pretty good but I will never forgive this kind of writing. Thank god this was Lobdell's last issue on the series.

• Indestructible Hulk #005

I am usually really annoyed with how this creative team creates an action team but I have to say: this issue was an exception. It seems that Hulk is always getting himself involved with the supernatural, this time he picks a fight with a bad ass ex-Atlantean named: Attuma. Attuma is an awesome character design whose back-story is interesting and makes perfect sense. I think that the whole rebel resistance was a pleasant touch that I didn't see coming, and all of the characters within it were compelling. What also felt strange was Hulk kissing a woman twice who Hulk knew was betrothed.

• Catwoman #18

Even though Catwoman is usually a pretty bad series and crossover titles are pretty bad this issue proved to be a fascinatingly heartfelt issue. Catwoman helps Bruce work out some of his pain and anger and Bruce helps Catwoman learn to do the right thing. This is a rare and beautiful occourance. The artists depiction of Batman was great and all of the Bat-Family was drawn well as well. The plot was in and out and all over the place but that's what I have come to expect from this series. I think that Ann Nocenti has a very good interpretation of what goes on inside Catwoman's crazy head which makes for an interesting view as the reader.

3/13/13

This week was depressing in comics, all of the titles in the Bat-Family had the word "Requiem" on them. The whole weeks comics were about the death of Damian Wayne. It also proved to be a terribly bleak week in comics. In some cases this proved to be to the books benefit and in others, not so much.

• Batman #18

I really don't understand DCs love for selling so many bridge issues. My guess would be that the normal artists are just so exhausted by the rigorous release schedule that they need a months break. I usually don't enjoy this type of issue, Batman #12 was the worst of the Batman title thus far into the New 52. So this issue surprised me. We revisit the seemingly insipid character of Harper Row, except this time a little of her origin is mixed in. She visits her dad in Blackgate where the dad is nasty to both Harper and her brother Cullen. If this dialogue was put in the words of any other writer it would be cheesy and boring. Somehow, Scott Snyder makes the dialogue crisp and natural. The second half of the book is a story of how Harper tries to help Batman out of this dark place. Scott Snyder does a terrific job of painting the picture of a Batman who is similar to the post-Jason death Batman in being feral and uncontrollable. This is a very well made issue and a good way to bridge the story of Death of the Family and the events of BI #8.

These Bat-Issues had some of the most amazing and heartfelt covers I have ever seen.

• Batman and Robin #18

I was really skeptical as to how they were going to pull this one off without Damian, but they did. It was really nothing more than a sob-fest, but that was all that was needed. What was the real shocker in this issue was that there were no words at all. The amazing creative team behind this title managed to showcase the extreme misery of Bruce and Alfred without any dialogue. There was definitely lots of strong emotion in this book, but $3 is a little steep for three minutes worth of reading material.

• Batgirl #18

Thus begins part two of the Ray Fawkes take over for Gail Simone. It was not as bad as the first part, but still not a quality comic. While I think that James Gordon Jr. has potential to be a very interesting character Ray Fawkes just fails to bring the mysteriousness that Gail Simone did so very well. I think the story told in this issue was mediocre, more about how Batgirl is a hero and how psychotic James is really demented. The thing that really made this issue not as good as it could have been was the fact that all of the non-dialogue text-boxes were about Batgirl in the voice of James. This took his mysterious edge away. I also think that if a Robin is on the cover and the book is marked "Requiem" there should be a larger Robin presence than just one moment. I just wrote an article about how DC never gives us enough of the story we bought the book for. Here it is: The article

• Thor: God of Thunder #006

I was thoroughly pleased with the "Gorr-igin" Even with the artist change this book continues to be one of the most prominent in Marvel NOW. The book completely lives up to the title with nothing but origin as Thor doesn't make a single appearance in the book. Gorrs life is so bleak it is hard to even read about it. The few people he cares about in his life all meet terrible fates while he lives his life hearing all about how the gods will look after him. He is a rebel and a leader and doesn't seem inherently bad until the last couple of scenes where he whips a helpless God. Jason Aaron really does the perfect job in writing this amazing story.

Although the interior art is done by Butch Guice, Esad Rubic still draws amazing covers for the series.

• Age of Ultron Book #2

I have to say, of all of the books this week AoU was the one I was most excited for. Why? Because #1 was so damn good. This one doesn't quite match the quality of the debut, but it comes pretty close. This issue was really just a way to get settled with the cast of characters and the circumstance. There is lots of talking about what will be the next step and even a flashback to before the crisis. I appreciate that this creative team is trying to really give the reader a strong grasp on the story. There is also a team-up in this book that I quite enjoyed, this was Black Widow and Moon Knight. They had entertaining conversation and seemed like a realistic alliance given the situation. I am so ready to see how this plays out.

• Before Watchmen: Ozymandias

I have very little to say about this book. It was just as good as any of the other books on the series. Two things I will commend them for: it was not nearly as wordy as the other issues and it wrapped up the series nicely. I am so excited that Before Watchmen only has one more book left!